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Divine Mauled by Press in Violent Scene Cut from Polyester

This  cut scene from Polyester (1981) occurred  during the riot on  Francine Fishpaw’s (Divine) front lawn.  Divine, already close to mental collapse from a severe drinking problem and mental cruelty inflicted by her husband and his mistress (Mink Stole), tries to escape the chaos by fleeing out the back door.

George Stover, who played one of the reporters (seen on left above;  the other was  Steve Yeager, filmmaker of the Waters bio-doc Divine Trash),  was devastated that the scene was ultimately cut.  It was a good follow-up to his part as Bosley Gravel in Desperate Living.  John told him that New Line made him cut the scene because it was “too noisy and the sound was bad.”  According to Charles Roggero, the editor of Polyester, as well as Female Trouble and Desperate Living, John cut the scene only because he had to reduce the film’s run time to the magical 90 minute limit, and losing this funny scene would not hurt the storyline.

Both are good possibilities.  John’s crowd and fight scenes usually verged on dangerous chaos. Most of the actors were untrained, and the line between reality and acting disintegrated quickly.  They were mostly one-take, so we could move on and calm things down before someone was hurt.

In this scene, which featured our big star, we did not want to risk an injury.  In Hairspray‘s media riot scene (Tilted Acres– cut in the Broadway Show and Travolta movie re-make– because of the negative press portrayal?) an actor was  taken to the hospital when a  an over-zealous reporter smashed a camera into his face.  So John’s instincts about riot scenes, though he loves them dearly,  proved to be accurate.

Read about Robert Maier’s fifteen years working with John Waters in the new book “Low Budget Hell: Making Underground Movies with John Waters.”  Available from and booksellers around the world.



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